Mandatory Steven Spielberg Movies to See Before the Fablemans

Steven Spielberg is one of our finest filmmakers. Spielberg crafted some of the most incredible motion pictures ever made and continues to create extraordinary entertainment nearly 50 years later. Jaws Onlookers in 1975. the fabelmans marks Spielberg’s latest effort, and by all accounts, feels like another solid achievement in a career filled with phenomenal success. As such, we thought it would be fun to take a look at six essential films within Spielberg’s illustrious legacy that shaped him into the filmmaker he is today.

Jaws (1975)

enough has already been written about Jaws Adding to the discussion is almost silly. Still, the 1975 classic film about a great white shark terrorizing the residents of Amity Island remains a defining moment in motion picture history, what we routinely call summer blockbusters.

put it this way: without Jawsno one there Indiana Jones, Jurassic Park, batman, Terminator 2: Judgment Dayeither dark Knight, among many others. without Jawsthere is also a star wars,

Jaws established Steven Spielberg as a filmmaker, relaunched the modern horror film, filled Hollywood with enough confidence to take chances on ambitious motion pictures with big budgets, and bucked the general trend of merchandise tie-ins. established.

said that, Jaws You didn’t accidentally stumble upon your tremendous success. It’s a great movie that skillfully blends Alfred Hitchcock’s mystery with John Ford’s adventure. What could have been a hackneyed, rudimentary, paint-by-numbers horror picture (see jaws 2, 3And 4) turned out to be a captivating, crowd-pleasing experience packed with colorful characters, a deft screenplay and genuine excitement. Jaws It has earned its place among the best films of all time.

Raiders of the Lost Ark (1981)

Raiders of the Lost Ark is one helluva movie – a rip-roaring adventure packed with non-stop action, incredible special FX, a stunning John Williams score, and a tough hero (played by Harrison Ford) who has since become more iconic than James Bond. It is done. More significantly, the picture conjured a new genre out of thin air: the PG-13 family adventure.

Spielberg’s success stemmed from this untapped resource, which produced thrilling motion pictures designed for all ages, showing enough grit and edge to remain cool among the teen crowd – and to appeal to older moviegoers. Sufficient indifference. Various sprung from this well Indiana Jones and the Temple of Doom, poltergeist, gremlins, scoundrelsAnd Jurassic Park – All movies with an abundance of adult content that knows when to step back and let the imaginations of the audience fill in the gaps.

Jaws made Spielberg a household name, Close Encounters of the Third Kind proved he can take an epic, but Raiders of the Lost Ark It was the film that cemented Spielberg as the true blockbuster extraordinaire that we know him today. clock in less than two hours, Raiders Leaps from one action beat to the next and blends drama, suspense, adventure, horror and romance into one incredibly satisfying experience that still packs an incredible punch almost 40 years after its release.

Spielberg and George Lucas should have worked together more often.

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ET the Extra-Terrestrial (1982)

i think that et the extra-terrestrial A little overrated. Yes, it captures the nuances of childhood in the best possible way and features recognizable performances from a handful of kids – it’s the ultimate family film. Truly, a delightful motion picture experience with one of John Williams’ greatest scores. but at It also feels like a carefully calculated product that hits all the right buttons without straying too far off the beaten path. This aspect would influence many of Spielberg’s later films, namely Indiana Jones and the Last Crusade, hookand amazing too Jurassic Park,

Where Jaws And Raiders Dared to reinvent cinema, using every aspect of the old serials and movies Spielberg grew up watching, at Feels more like a mainstream product designed to appeal to the masses. Even then, at Took the world by storm and, for better or worse, gave Spielberg the keys to the kingdom. As such, it remains one of his essential photographs.

and look, I’m not saying at Bad film. I saw it recently in IMAX and had a great time. Some moments jump out of the screen (for example, ET and Elliot’s flight to the moon), and the story has enough depth to give the whole affair a more profound emotional payoff. So far, at Sounds a lot more like a product designed not to fail rather than a work of fiction by an incredulous auteur.

Schindler’s List (1993)

after the commercial failures of Empire of the Sun, AlwaysAnd hookSteven Spielberg returns with a one-two punch Jurassic Park And schindler’s list, The former achieved extraordinary financial success and helped usher in a new brand of CGI filmmaking. The latter quickly became a critical darling and eventually afforded Spielberg what he sought most: respect from the Academy.

really, schindler’s list It took home several Oscars, including a statuette for Best Director and Best Picture, and reinvented Spielberg as a genuine artist capable of delivering adult pictures. From here, the man veered between commercial and more personal projects, often with intermediate results – see The Lost World: Jurassic Park And amistad in 1997. schindler’s list dealt the Spielberg of the ’80s a death blow once and for all and replaced him with a more nuanced, glasses-wearing, scarf-wearing artist whose films strive for significance. The year 1993 was indeed the moment when our little boy finally grew up.

As far as the film is concerned, schindler’s list There is enough experience. Directed by solid performances from Liam Neeson, Ben Kingsley, and Ralph Fiennes, the film tells the true-life story of Oskar Schindler, whose efforts during World War II saved the lives of approximately 1,200 Jews. Shot entirely in black and white by Janusz Kaminski, who would collaborate with Spielberg on all of his films from that point on, schindler’s list goes for the juggernaut and recreates the Holocaust in devastating detail. An extraordinary motion picture.

Ironically, it took Spielberg just as long to reach for the stars (from the artist’s point of view) as to find his feet on the ground.

Saving Private Ryan (1998)

Spielberg’s later career would produce solid entertainment such as minority report And LincolnBut none left behind the cultural impact saving Private Ryan, I’d even go so far as to say it was Spielberg’s last truly monumental motion picture – a summer spectacle that left quite a mark in the pop culture zeitgeist.

saving Private Ryan forever changed cinema, or at least the war genre. Brutal, violent and intense, the R-rated motion picture paved the way for video games and TV shows (such as HBO’s) band of Brothers And the Pacific), and all but revived the war epic. Ryan’s success opened the floodgates that the likes of we were soldiers, black Hawk Down, letters from iwo jima, dunkirkAnd 1917 emerged. Such films borrow elements or build on techniques found in Spielberg’s masterworks, sometimes with spectacular results of their own.

Yet, despite his devotion to authenticity, saving Private Ryan The pinnacle of the classic Spielberg blockbuster remains: a rip-roaring action vehicle that oozes realism schindler’s list with the excitement of Raiders of the Lost Ark and shock and awe Jaws, There’s buzz around its release ryan revolves around the initial 20 minutes, which (eg Jaws) neatly sets the tone with an extended, incredible action sequence that deftly recreates D-Day’s Normandy invasion.

Yet, for me, the hallmark of this chef-d’oeuvre is the final hour, during which Captain John Miller (Tom Hanks) and his ragtag crew of soldiers defend a bridge from German soldiers, is the best Spielberg has ever done. Most unusual order. , bar none. Equal parts harrowing and exhilarating, Final Battle delivers a tremendously visceral experience that incorporates all of Spielberg’s best tendencies as a filmmaker.

While Spielberg would make better films in the future, none could match the technical mastery achieved in this classic WWII epic.

Catch Me If You Can (2002)

If Jaws served as Spielberg’s breakthrough, and schindler’s list marked his foray into more adult fare, catch Me If You Can That was the moment Spielberg finally crossed over into human drama. Yes, he sometimes dips his toes in empty, big-budget blockbusters such as war of the Worlds, Indiana Jones and the Kingdom of the Crystal SkullAnd ready player one with mixed results. However, from 2002, Spielberg’s interest turned to intimate character studies that revolved around flawed people caught in larger-than-life circumstances.

Except none of his subsequent efforts will match the sheer joy catch Me If You Can, a light-hearted comedy that deftly wraps up heavy themes of childhood, divorce and parenthood. Starring Leonardo DiCaprio (in one of his best roles), Tom Hanks, Christopher Walken and Amy Adams, the 2002 caper follows the real-life adventures of Frank Abigail Jr., who runs away from home at age 17 and Turns to a life of petty crime. Frank poses as a pilot, doctor and lawyer collecting millions of dollars in fraudulent checks, and sleeping with gorgeous women while evading the FBI in 1960s America. Spielberg views Frank’s adventures as harmless adventures in adolescent ignorance; He’s not a bad kid, just lost and lonely.

smart, sweet, emotional and funny, catch Me If You Can Only Spielberg can deliver a picture like this. An expertly constructed bit of filmmaking that ranks among his finest achievements as a filmmaker, proving that he can make a personal drama without all the bells and whistles.

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